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Film Appreciation Course with Arunaraje

Film Institute of India and the National Film Archive of India, Pune are conducting an online Film Appreciation Course after their regular summ...

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Between Fake News and Truth…

In these extraordinary times, like everywhere else in the world, fake news and misinformation are spreading like wildfire around Covid-19 and r...

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Justice for Women Amidst COVID-19

A new report documents major challenges to women’s access to justice in light of the COVID-19 pandemic and puts forth recommendations...

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Raj Marphatia: A Bombay Boy who never lost

He was the first non-white President of the prestigious Harvard Law Review, writes Dilip D’souza

Exhausted: Face Masked & Barefoot

As the lockdown restrictions are being relaxed gradually in the country, scores of migrant laborers who have lost their jobs have attempted to ...

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Of Abusive Power & Complicit Silence

Reema Moudgil walks us through three documentaries streaming right now, which show the ultimate culmination of the Bois Locker Room culture. An...

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The Talented Taurean: Bhanu Athaiya

Bhanu Rajopdhye Athaiya was born on April 28, 1929 in Kolhapur. Humra Quraishi interviewed Athaiya around ...

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India’s Disowned: Pataal Lok

In her review of the newly dropped series on OTT platform Amazon Prime Paatal Lok, Reema Moudgil writes that the images haunt because they remind us of som...

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That Haze

Humra Quraishi  writes another stunning story, set in Lucknow where despite being in groups and communities, in crowded p...

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Woman of Song: Usha Khanna

Dhruv Somani makes a case to revisit Usha Khanna, one of Bollywood’s few and certainly the most prolific and popular women composers.

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