Denial: In the Industry of Entertainment

Actor and Executive Committee (EC) member of CINTAA Ayub Khan highlights a challenge confronting the Hindi television industry...

Minority Report

Khalid Mohamed writes on the ceaseless ghettoization of Muslim characters in B-town’s mainstream movies, and now web ser...

India’s Disowned: Pataal Lok

In her review of the newly dropped series on OTT platform Amazon Prime Paatal Lok, Reema Moudgil writes that the images haunt because they remind us of som...

Witchy Brew

In common usage, the word chudail describes an aggressive or quarrelsome woman—could be said to be the Indian equivalent of bitch.  ...

Why I will invest in the Congress! Rudresh Kaul

Rudresh Kaul writes, “I have always believed that learning and sharing go hand in hand.”

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Nothing Is Impossible

In one of SillyPoint Productions’ earlier plays, the UK royal family hid its Parsi roots (The Buckingham Secret), a satire on pl...

Shakespeare’s The Taming of the Shrew gets a gender-flip

Jo Clifford was asked to adapt The Taming of the Shrew, the play which she hated the most once. “I wasn’t ready to do it then,...

Beckett and Apocalypse

Samuel Becket's Waiting For Godot has had several productions in Mumbai (Motley's being the most famous), but Endga...