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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Don’t cry for Sushant!

Vinta Nanda discusses why in the creative universe, we should feel sorry for ourselves and not for those who have left us...

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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

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Denial: In the Industry of Entertainment

Actor and Executive Committee (EC) member of CINTAA Ayub Khan highlights a challenge confronting the Hindi television industry...

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Brotherhood of man and woman

Amit Behl walks us through the huge impact that the COVID-19 crisis has had on the film and television industry and how the fr...

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Kulmeet Makkar: The man who never said ‘No’

A thought crossed my mind as I said a small prayer last night, “I’ve written two tributes back to back for Irrfan Khan and Rishi Ka...

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This Mercurial Man Amit Khanna: Man of 2020

I send him a list of questions by mail and request him to take his time to answer them and I also added to my note, that it’ll be great i...

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A pioneer, a frontierswoman at heart: Presenting Anupama Mandloi

One of the most significant outcomes of my having started The Daily Eye, which is an online publication specifically targeted to conte...

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Doordarshan releases “Guidelines for Gender Sensitive Programming”

On March 8, 2019 to mark the International Women’s Day, Shri. A. Suryaprakash, Chairman PrasarBharati released the “Guideli...

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Raj Shrivastav on 'Reaching out with Entertainment and putting it to Social Context' at Elevate 2K18

Raj Shrivastav, Zonal Head, Network Brand Solutions speaks at Elevate 2K18, Mumbai about how characters in Indian television work effectively. He listed out various example...

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