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Framed: Film Editor Ballu Saluja

Aparajita Krishna, writer and filmmaker, profiles the much accomplished editor Ballu Saluja in...

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Meet Roshni Nuggehalli and Marina Joseph of YUVA

In this time of Covid-19, the world has witnessed upheaval in almost every sphere of life while impacting the s...

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Sycophancy: At the intersection of Art & Politics

Vinta Nanda writes about the mood in the country. She says that Bollywood and Indian Politics,...

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Question of Age: The believe-it-or-not pluck of Chunibala Devi

Khalid Mohamed writes on the uncanny story of Chunibala Devi, who at the age of 80 portrayed the tetchy yet lovable village gr...

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Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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Indian Media: Delete, Copy, Paste & Repeat

Amit Khanna writes that a simple definition of news is organized information about a changed situation, events, happenings and...

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Of Silent Havelis

Ashok Sood’s photo-feature on the gorgeous havelis of Nawalgarh, Rajasthan, which like other tourist hubs of India, will...

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The End of a New Beginning

Sandeep Goyal says that the one thing he has never understood about TikTok is – why does...

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Guru Dutt: A Life Interrupted

Humra Quraishi observes from the auteur Guru Dutt’s life, how fragile artists are when they’re possessed by their ...

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When words are just not enough….

I write this with a heavy heart, says Rujuta Vaidya as she remembers her time-spent learning dance choreography from the unparalleled to date, ...

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