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A look back at Mira Nair’s tale of Home: Mississippi Masala

Aditi Singh revisits the film Mississippi Masala, thirty years after its release, and recalls the metaphors of ‘home&rsq...

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Nothing is funny in one India

Humra Quraishi remembers what Zakia Jafry had once said to give context to the violence spreading across India today and why t...

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‘Having a blast’ is a very ordinary thing to do!

How often have we all said, “Hey, let’s have a blast”, or, “What a blast we had last night”, writes Vinta...

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The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

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Sagar Sawarkar & the Indian Idol Connect!

Aparajita Krishna travels with Sagar Sawarkar’s musical journey and shares her experience with us.

The Women of the Farmers Agitation

Subhashini Ali writes about the Women farmers’ parliament - a parliament that the government is determined to keep ordin...

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Adivasis Denied Forest Rights

Adivasis organize to protect their rights as corporate control over forests escalates, reports The Daily Eye News desk

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Sunil Shanbag: A Theatre Yatra!

Aparajita Krishna takes a deep dive into the life and theatre times of Sunil Shanbag and walks you through an interesting tell...

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Romance in the 1984 Sikh Riots: Grahan

 

The OTT platforms have released a few remarkable web series display...

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Reflecting humanity through the struggle of a woman: Federico Fellini

Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...

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