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Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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Her Bollywood

Anubha Yadav’s book Scripting Bollywood: Candid Conversations with Women Who Write Hindi Cinema, lights up a neglected space in film...

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Broken windows and promises

Humra Quraishi recalls her conversations with Abdul Ghani Lone, Maulana Abbas Ansari, Abdul Gani Bhat and Yasin Malik at separ...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Days of qawwalis

Film historian Dhruv Somani asks why have the qawwalis, once a big draw in the Bollywood movies, have gone with the wind today...

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Right at the Centre: Anuradha SenGupta

Anuradha SenGupta’s introduction of herself as a professional, best summarizes her writes Aparajita Krishna  Read More

Fast and Furious: Varun Inamdar

A secret I have to reveal, if I must go forward with this interview with Varun Inamdar, is that my bedtime stor...

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Thank you Mr. Kamath - Better late than never!

Following the news of ASCI banning surrogate ads of 12 liquor companies, Dr. Sandeep Goyal Read More

Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna

An Unwatchable Boy

Khalid Mohamed reviews the web series A Suitable Boy and Mirzapur 2, streaming on Netflix and Prime Amazon Video respectively....

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