Snake Bites: Bollywood’s Naagins

Film historian Dhruv Somani takes stock of the Naagin and Naag movies, which have crowded the Bollywood repertoire for decades...

Film Appreciation Course with Arunaraje

Film Institute of India and the National Film Archive of India, Pune are conducting an online Film Appreciation Course after their regular summ...

News Media: The End..

Geeta Datta, programmer and veteran reporter, views news broadcasting from what goes on inside newsrooms and explains why the ...

Of Abusive Power & Complicit Silence

Reema Moudgil walks us through three documentaries streaming right now, which show the ultimate culmination of the Bois Locker Room culture. An...

India’s Disowned: Pataal Lok

In her review of the newly dropped series on OTT platform Amazon Prime Paatal Lok, Reema Moudgil writes that the images haunt because they remind us of som...

Kulmeet Makkar: The man who never said ‘No’

A thought crossed my mind as I said a small prayer last night, “I’ve written two tributes back to back for Irrfan Khan and Rishi Ka...

How marketers can think about a Post - COVID-19 world

Perhaps it may be a little too early to say this, but we may be reaching peak lockdowns in many places around the world. The curves aren’...

The Legend of Siddharth

I wanted to interview Siddharth for The Daily Eye for some time now and although he was reluctant and shy, I managed to corner him the other da...

Simran Puri’s Kangan

Women are equals now by law but back then it was different…

The story unfolds amidst the splendour ...