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The quiet fade-out

How many care for a yesteryear star after her last breath? Here’s addressing the question, over a month after the passing away of yestery...

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Ray lives on

His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid M...

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Farewell Mrs Gulshan Ewing

Left: Gulshan Ewing with Danny Kaye and Right: with Cary Grant 

Khalid Mohamed pays tribute to Mrs Gulsh...

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Iron in the soul

“Meet Manohar Mhatre, the eminent artist who was with the legendary Progressive Art Group, but has never hankered after fame or money&rdq...

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The Legend of Siddharth

I wanted to interview Siddharth for The Daily Eye for some time now and although he was reluctant and shy, I managed to corner him the other da...

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Saluting Akbar Padamsee, an artist and a beautiful mind

It was with a tentative sense of bravado that I had approached Akbar Padamsee, supremo artist, for the use of one of his brilliant metascapes &...

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This Mercurial Man Amit Khanna: Man of 2020

I send him a list of questions by mail and request him to take his time to answer them and I also added to my note, that it’ll be great i...

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KASHISH 2020 Poster Contest is now inviting entries

India's top fashion designer Wendell Rodricks will select winner

11th edition of South Asia's biggest film...

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Simran Puri’s Kangan

Women are equals now by law but back then it was different…

The story unfolds amidst the splendour ...

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Conversations with Aditiya Singh’s Canvas’

“I don’t paint music, I paint noise, I don’t paint for aesthetic appeal, I paint to reveal my reality”, said Aditiya to me when I asked him to tell ...

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