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The Three Khans and the emergence of new India

Kaveree Bamzai’s book with fascinating long shots and close-ups is unique for several reasons, writes Monojit Lahiri. Fo...

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‘Having a blast’ is a very ordinary thing to do!

How often have we all said, “Hey, let’s have a blast”, or, “What a blast we had last night”, writes Vinta...

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Director’s Cut

Film historian, Dhruv Somani, is in conversation with Saawan Kumar Tak, on how he has romanced the box office.

Shyamal Uncle turns off the lights

In the first of a new series on standout Bengali films post 2000, Shantanu Ray Chaudhuri looks at Suman Ghosh’s 2013 fil...

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Sunil Shanbag: A Theatre Yatra!

Aparajita Krishna takes a deep dive into the life and theatre times of Sunil Shanbag and walks you through an interesting tell...

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Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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Joy of Acting

Khalid Mohamed talks shop and more with Ali Fazal, who has wowed audiences with a wide range of films like Fukrey and Victoria...

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Adil Hussain: The Uncrowned Czar of independent cinema

Sharad Raj walks you through his experience of working with the actor par excellence Adil Hussain.

Gentleman Extraordinaire: Phani Majumdar

Rinki Roy Bhattacharya shares her experience of meeting Phani Majumdar, a filmmaker and man ex...

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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