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The apotheosis of the new wave: Jules et Jim

Godard’s Breathless and Truffaut’s Jules et Jim are the cornerstones of one of cinema’s most ...

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Tara ra pomp pomp

Khalid Mohamed attends The Big Day weddings, listens in to Martin Scorsese’s docu-interview with Fran Lebovitz and&helli...

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How the war was won

Khalid Mohamed reviews the inexplicably neglected 377 Ab Normal, is zapped by the mega-abrupt Lahore Confidential, and discove...

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Those were the days

Listening to music on the terrace to while away long, lonely evenings, the comp came up with the song, Those were the days my friend, we though...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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A Portrait in words and pictures: Seema Kapoor

Isolation amidst the tranquillity of the scenic environs of Jhalawar in Rajasthan  made Seema Kapoor address this article, writes ...

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Signs of the time: The stream of freedom’s flood

With the passing away of writer Ved Mehta, I can only say that we have lost  not just a great writer but also a man with a definite person...

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Our Invisible Men

Film historian Dhruv Somani travels back in time to chronicle 10 B-town films on the classic vanishing trick, first conceptual...

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My city, my friend

Khalid Mohamed in a chat fest with Harshad Rajadhyaksha, Chief Creative Officer at the Ogilvy ad agency, on his passion for st...

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Signs of the time: Reality of our Democracy

The images of my farmers sitting on the borders of the capital  city,  braving it out, make me despair, says Humra Quraishi Read More