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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Coming of Age: Child stars that could make it big

Film historian, Dhruv Somani, looks back at Bollywood’s babies and moppets who could make that tough transition to leadi...

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Hope and Glory: Asha Bhosle in conversation

Khalid Mohamed talks to the legendary Asha Bhosle this week, about her talent hunt for singers on her YouTube channel, and her...

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Soundscaping with Bishwadeep Chatterjee

Vinta Nanda says, this is one of the most interesting interviews she’s done for The Daily Eye in so far. Welcome to the ...

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Mohammed Rafi: Forty Years Later

Anil Dixit exults about Mohammed Rafi’s imperishable legacy of songs, on the occasion of the legendary crooner’s 4...

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Stardom: The road to heaven

Vinta Nanda writes about two strugglers – their personal experiences that explain how it works for aspirants before they...

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Takes two to duet: Lata Mangeshkar’s duets with female singers

Anil Dixit handpicks a selection of rare film duets in which other female singers matched up t...

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Lost Melodies: Bollywood’s vast film music heritage

Anil Dixit, walks down melody lane, to select five vastly underrated music scores

My go-to metaphor for Hindi film music is that it’s a rich ...

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For Name’s Sake: Bollywood’s penchant for screen names

Film historian, Dhruv Somani, traces the saga of leadin...

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This Mercurial Man Amit Khanna: Man of 2020

I send him a list of questions by mail and request him to take his time to answer them and I also added to my note, that it’ll be great i...

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