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Search ResultANKUR: THE SAPLING OF PARALLEL HINDI CINEMA
“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...
Read MoreHOW DO YOU FALL OUT OF LOVE WITH COUNTRY MUSIC





Vinta Nanda had this interesting conversation, recently, with Shyamala Moorty, director of multiple award winning film “...
Read MoreMUDIT SINGHAL: EXPOSING DISCRIMINATORY PRACTICES





‘Yes Sir’ is among the best of South Asian films selected for screening at the Tasveer South Asian Film Festival, to be held in Sea...
Read MoreTHE HRISHIDA I REMEMBER…
Monojit Lahiri pays a personal tribute to this iconic filmmaker on his 101st birth anniversary. Hrishida was born o...
Read MoreARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION
O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...
Read MoreA BEFITTING SWANSONG
This is a very personal response to a unique film experience gifted by The Song of Scorpions, writes Janaky Sreedharan
MANI KAUL’S ICONOCLASTIC USKI ROTI
This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...
Read MoreDr SUCHETAN PRADHAN: THE CULTURE BEHIND DENTISTRY
I am in conversation with one of India’s best known practicing dentists: an implant aesthetic and laser dentist, writes Aparajita...
Read MoreTHE ADDA OF GANGA VIHAR!
Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...
Read MoreTHE ADDA OF GANGA VIHAR!
Aparajita Krishna dives deep to the not so long history of Ganga Vihar and what it holds together as a past unimaginable and r...
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