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Bergman, Sombre or Pragmatic?

Ingmar Bergman prevalently known for his movie ‘Persona’ was considered as the most thoroughgoing in procedure and technique. Classism in the movies came out vo...

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Kid Rock for US Senate?

Is this a joke or some sort of publicity stunt? Is something most people will question when they hear of musician Robert James Ritchie aka ‘Kid Rock’ announcing...

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Big Switch: Teens Work on Leaving No Footprints Behind for the Future Generations

The world has been shedding its green skin interminably, courtesy human intervention in it’s natural process. But hitherto we were paying least attention to the lurki...

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Redeeming A Vow To 120 Million Women And Girls

Raising a family is a balancing act. Last week, the world celebrated “World Population Day” by not rejoicing the spur of populous sperms scrawling to the brim o...

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FREEDOM My Story By Arunaraje Patil

Arunaraje Patil’s newly released memoir is justly titled FREEDOM. It matches the title of her best known directorial work – RIHAEE- or liberation. The film, she...

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Okja Director Bong Joon-Ho: 'In Films Animals Are Either Soul Mates or Butchered

The director’s bold and bonkers fantasies have sparked comparisons with Spielberg, and his latest film delivers a chilling message via the relationship between a girl...

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This Is Why Israeli Fashion Is So Political

As civil war gripped Ethiopia, an entire community of Ethiopian Jews was airlifted out of the country by the Israeli government in an audacious 1984 covert operation to res...

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'Will I Ever Get Justice?': Nepal Accused Of Failing Trafficking Survivors

Rights groups claim no one has received compensation since law entitling survivors of human trafficking was introduced a decade ago Rights groups in Nepal say they do not k...

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'Nowhere To Hide' In Human Rights Watch Film Festival 2017

At no point during Zaradasht Ahmed’s blistering documentary Nowhere to Hide does anybody express regret for the departure of American soldiers from Iraq. That remains...

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Scene By Scene, This Is What Makes The Babadook Such An LGBT Icon

When I first saw The Babadook, I wrote that the monster therein was, to my eyes at least, a metaphor for grief. What I apparently missed was that all that tapping and flapp...

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