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Taboo Love and the Sensibility of Agnès Varda

Her cinema played with subversive and controversial subjects even as she kept up her engagement with the political environment of her times int...

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Joy of Acting

Khalid Mohamed talks shop and more with Ali Fazal, who has wowed audiences with a wide range of films like Fukrey and Victoria...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Rogue Thinker

Khalid Mohamed’s never-before published interview with the dogged rule-breaker, Ram Gopa...

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A Manhattan state of mind

Woody Allen’s ‘Manhattan’ is a 1979 American romantic comedy film produced by Charles H. Joffe, writes Vandana Kumar<...

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That’s Entertainment!

How do I start writing about a man’s love affair with Hollywood and the movies? Especially when he happen...

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Colombia to host The Classics – the Festival of Films that will Live Forever

Have you ever wanted to watch Sunset Boulevard on the big screen? Popcorn in your hand and glitter in your eyes. May be the Rear Window? Rebel Without...

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Bergman, Sombre or Pragmatic?

Ingmar Bergman prevalently known for his movie ‘Persona’ was considered as the most thoroughgoing in procedure and technique. Classism in the movies came out vo...

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No Room With An Interview Any More

Yesterday, a master blaster -- a former editor of mine whom I respect unconditionally-- called up from the deepest shade of blue, to ask, “Can you interview Lata Mang...

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Festival Films: How The World See's India

Let’s start with a rapid-fire question: In which section did Sanjay Leela Bhansali’s Devdas play at Cannes? Answer: the clumsily named Out of Competition sectio...

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