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ANIRBAN: CINEMA BEYOND DEATH'S SILENCE

Forty-five years after its release, Bhabendra Nath Saikia's Anirban remains an overlooked cinematic masterpiece. Utpal Datta explores i...

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FILM CRITICS SHAPE INDIAN CINEMA

Film Critics And Indian Cinema…Perfectly-Unmatched!? India, the world’s largest film-producing n...

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MICRO DRAMAS REDEFINE GLOBAL ENTERTAINMENT

India is emerging as the global growth engine for micro dramas and short-form entertainment, with mobile-first audiences, soar...

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WELCOME LOST IN SATIRICAL CHAOS

Lost in the Wilderness of Its Own Making: Arnab Banerjee reviews Welcome to the Jungle, finding a promising satirical premise ...

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COCKTAIL 2 TESTS LOVE’S LIMITS

Arnab Banerjee examines Homi Adajania’s Cocktail 2, exploring fidelity, trust, temptation, and modern relationships whil...

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HINDI CINEMA: UNDER HOLLYWOOD’S HAT

Khalid Mohamed recalls the impact (and copycatting) of Hollywood cinema and its gossip journals, which inspired countless ente...

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VANISHING BOMBAY: DREAMS & DEMOLITIONS

In this essay, Khalid Mohamed examines Bombay’s relentless transformation through redevelopment, disappearing heritage, ...

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STUDENT CITY PART 6

In Student City Part 6 Prof Dr Piyush Roy crafts a sharply observant and darkly humorous coming-of-age narrative Read More

STUDENT CITY PART 4

Written by Prof Dr Piyush Roy, Student City Part 4 revisits the emotional rivalries, campus politics, friendships and...

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DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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