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BOLLYWOOD: THE DIVERGENT WORLDS OF STAGE AND CINEMA

Monojit Lahiri figures the intricate duality, unpacking why some actors seamlessly transition from stage to screen while other...

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POLITICS: ONE-SIDED MEDIA NARRATIVES

Going by the events around the time the Shah Bano verdict was overturned, Vinta Nanda examines Rajiv Gandhi’s rationale,...

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POLITICS: A WINTER OF DESPAIR WRITES SURANYA AIYAR

Humra Quraishi explains what it means to be a member of the minority community in these times and reproduces a part of what Su...

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A MAN FROM MOTIHARI: ABDULLAH KHAN

\Aparajita Krishna writes, “The Boy of ‘Patna Blues is now A Man From Motihari!”

CASTE, RELIGION AND LEARNING GAPS

In the backdrop of an incident that took place a couple of weeks ago, when a young Muslim student was taunted by his teacher, Humra Qur...

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CONFLUENCE OR CONFLICT: SCREEN V/S STAGE

Monojit Lahiri attempts to explain how the screen and stage reside in two entirely different orbits with the only commonality ...

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SOHAILA KAPUR: The Person & Her Legacy!

Sohaila Kapur belongs to a very rooted and empowered artistic and cultural legacy. She has, in her individual way, made her own space, writes <...

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When Comedy was King

Film historian, Dhruv Somani, salutes the comic actors of yore, who would make us roll with laughter in the aisles.

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Shifting Paradigms: Malayalam Cinema

Malayalam Cinema has evolved through time, writes Sulochana Ram Mohan. To use a cliché change has been the only constant in Malayalam ci...

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I want to act, not be famous: Arif Zakaria

Aparajita Krishna tells us, that Arif Zakaria was born in a very respected Konkani Muslim family in Bombay.

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