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KALEIDOSCOPE: CELLULOID TO DIGITAL BY V.K. CHERIAN, BOOK REVIEW

Despite the cynical and sceptical times we live in, there are indeed many people who honestly enjoy movies, know the difference between good an...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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Pubali Chaudhuri: Mystery of the blank page!

Aparajita Krishna tells the Genie to grant writer Pubali Chaudhuri her personal wish; also the wish that she ‘conti...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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The Discreet Charm of the Bourgeoisie

Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and belie...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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The outlier of French new wave: Claude Chabrol

In a career that spanned over five decades, Claude Chabrol (24 June 1930 - 12 Sep 2010) was one of the most prolific and widely respected of Fr...

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Shanghai International Film Festival: What’s Around This Year?

There are not many countries in the world with a culture as distinct as China. The country also offers the thri...

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Colombia to host The Classics – the Festival of Films that will Live Forever

Have you ever wanted to watch Sunset Boulevard on the big screen? Popcorn in your hand and glitter in your eyes. May be the Rear Window? Rebel Without...

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Day 4 of the 15th Mumbai Film Festival Enchants All

Mumbai, October 20, 2013: Coupled with the spectacular lineup of films, the weekend brought in huge numbers on Day 4 of the 15th edition of the ...

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