TIGHTROPE WALK FOR JOURNALISTS IN THE MAINSTREAM

Here, taking off from a few discussions at the Orange City Literature Festival she attended, Vinta Nanda looks at ‘ethic...

IS THE SLOGAN DYING?

Monojit Lahiri questions the relevance of slogans in today’s era, and wonders about its fate in the future.

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At Vanishing Point

As one more beautifully-architected bungalow on Little Gibbs Road bites the dust, Khalid Mohamed writes on the changing face o...

Amol Palekar - In a flashback that is very present!

I am often visited by Amol Palekar flashbacks, writes Aparajita Krishna

As time passes by...

Difficult Daughters

Neil Simon (along with Moliere) must be the most popular western playwright whose works are adapted (often plag...

An Eye for an Aye

The daughter of P. Lankesh, a well-known Kannada journalist, Gauri Lankesh was an outspoken journalist. She worked with her father at his magazine, Lankesh Patrike...

Obese Indian Wedding

Bharat Dabholkar’s Blame It On Yashraj, had its hundredth recently—making it one of the most successful English plays in recent times. This Ashvin Gidwani produ...

Kaleidoscope - Laughter Above All

It's driving one section of theatre folk to despair, and causing another section to success-- the popularity of comedy above all else.

Audiences are flocking t...

Democracy's Dirty Word

- Is politics overtaking India's inherent humanism?

Why have we become so intolerant of the term "intolerance"? Crisscr...