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GOODBYE SHATTERS THE NARRATIVE GRAMMAR

Vinta Nanda discovers in Deeshak Patra’s 18-minute-long At Last We Said Goodbye a fearless new cinematic voice,...

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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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GOVERNOR REWRITES HISTORY FOR POLITICS

Film critic Arnab Banerjee examines Governor, a politically charged retelling of India's 1991 economic crisis, praising Manoj ...

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SATYADEV DUBEY: THE MAD GENIUS

Playwright, director, actor, mentor, provocateur and iconoclast, Satyadev Dubey transformed Indian theatre through sheer force...

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BOLLYWOOD MOTHERS BECOME MODERN MOMS

On Mother’s Day, writer Monojit Lahiri reflects on Bollywood’s evolving screen mothers, tracing the journey from s...

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THE REBEL WITHOUT A...PAUSE

Fearless. Disobedient. Rowdy. Bindaas. Playful. Rooted. Real. Sanjay Bhattacharya is a rare artist, forever ready to do a soul...

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FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS

WARNING! DANGER AHEAD FOR - THE PRUDISH PURITANICAL…SHOBHAA DE STRIKES AGAIN!! Monojit Lahiri offers personalized observations on the un...

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REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS

The actor-director’s spy spoof aims for absurdist satire but collapses under stereotypes, scattered themes, and overextended gags, despit...

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BUSINESS: KOHLI KE PEECHE KYA HAI??

A hymned and celebrated superstar in every cricket playing nation on planet earth, this guy keeps challenging every former/ existing great to d...

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