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Bengali Cinema: A Middle Way to Tread

Satyabrata Ghosh explores the cinema of West Bengal to conclude how the median between art and commerce exists and has been of...

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Of human bondage

Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world&rsqu...

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Poet with a social commitment: Sahir Ludhianvi

Terribly disturbed by his dear and younger friend Mohammad Rafi's demise on July 31, 1980, Sahir also followed suit after a few months, writes ...

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The truth about Lies

One of the most defining images of our times is that of Prime Minister Narendra Modiji inaugurating the Atal Tunnel, writes Vinta Nanda...

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To the story I was born

Aparajita Krishna plunges into her rich past, where there is a paean to her left leaning parents who inhabited India’s r...

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Bazaar 2 In The Works: Sagar Sarhadi

Khalid Mohamed catches up with the eminent short story writer, film dialogue wordsmith and dir...

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Trust Deficit

A lack of confidence pummels institutions, sours relationships.

Trust is one of the cornerstones ...

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Google @ my First Address in Life and its Fruity Lychee taste: MUZAFFARPUR

I have changed many addresses in life as an itinerant. When I click life@57, it is my first address in life and...

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Cold War and Cool Jazz

“If you have to ask what jazz is, you'll never know.” ― Louis Armstrong

Americ...

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