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Bollywood

DAADI KI SHADI REVIEW ANALYSIS

Arnab Banerjee reviews Daadi Ki Shadi, examining its progressive premise, hesitant storytelling, uneven humour, and N...

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Bollywood

BHOOTH BANGLA REVIEW: MISSED COMIC HORROR

Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...

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Bollywood

BOLLYWOOD IGNORES WOMEN IN COMEDY

Monojit Lahiri investigates the persistent absence of strong comic roles for leading Bollywood actresses, examining industry b...

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Retroscope

FEARLESS NADIA’S HUNTERWALI FILM PHENOMENON

Film historian and Proffessor Piyush Roy revisits Hunterwali (1935), the groundbreaking Wadia Movietone stunt classic...

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Powerful People

JOY SENGUPTA: ACTOR WITHOUT COMPROMISE

In a rare, deeply reflective conversation with Khalid Mohamed, actor Joy Sengupta traces his journey across theatre, c...

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Retroscope

FORGOTTEN DANCING QUEEN OF HINDI CINEMA

The Last Dance: Tragedy of a Dancing Queen - Khalid Mohamed narrates the rise and fall of the iconic Cuckoo Moray, who mentore...

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Movies

WHEN INDEPENDENT FILMS FIND THEIR AUDIENCE

From festival screenings to public platforms, WIFF Mumbai celebrates a defining moment as its films travel wider. Vinta Nanda reflects ...

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Bollywood

JIMMY SHERGILL: A CLASS ACT, ALWAYS

An intimate, insightful portrait of Jimmy Shergill—an actor of rare restraint and integrity—by Khalid Moha...

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Kaleidoscope

KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW

Cultures are never frozen in time, they keep moving, keep evolving.
Filmmaker and writer Sharad Raj reflects on Lucknow as a city negotiat...

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Gender

GENDER: CHAI AND LOVE MEET ON STAGE

In this intimate column, Vinta Nanda writes about The Chai Queens, its emotional homecoming to Mumbai, and how theatr...

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