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GEN Z TURNS POWER UPSIDE-DOWN

Vinta Nanda watches India’s Cockroach movement transform youth anger into irreverent resistance, challenging political ...

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PRATIBHA SUMAN: REFUSING PRESCRIBED BOUNDARIES

From a small-town childhood to theatre, cinema, poetry and cultural activism, Pratibha Suman tells Vinta Nanda how independence shaped ...

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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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BEGUM BARVE RETURNS WITH BRILLIANCE

Satish Alekar's landmark Marathi classic Begum Barve receives an accomplished revival under Gaurav Kanekar, proving why this groundbre...

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PINJAR REVIEW: FREEDOM BEYOND THE CAGE

Saibal Chatterjee reviews Rudrajit Roy's Pinjar, a deeply humane drama about freedom, identity, gender and survival, examining how invisible ca...

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QUEER MOTHERHOOD BEYOND STEREOTYPES

Prof. Dr. Avinash Kolhe: Vikram Phukan's Some Mothers, Other Mothers explores queer motherhood, chosen families and human righ...

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RAGHU RAI'S PHILOSOPHY OF SEEING

Utpal Datta reviews Raghu Rai: Hearing Through the Eyes, revealing the legendary photographer's creative philosophy, artistic ...

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IPTA AT 84: RESISTANCE THROUGH THEATRE

Prof. Dr. Avinash Kolhe reflects on IPTA’s 84th year celebrations, tracing its extraordinary legacy of political theatre...

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STUDENT CITY PART 2

In Part 2 of Prof Dr Piyush Roy’s nostalgic campus saga, rivalries intensify, friendships fracture, and attraction simme...

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BHOOTH BANGLA REVIEW: MISSED COMIC HORROR

Arnab Banerjee examines Bhooth Bangla, dissecting its failed blend of horror and comedy, uneven narrative, and wasted performances in this detailed review ...

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