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MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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ECHOES ON PAPER: CRAFT, MEMORY, CONTINUUM

Bridging nineteenth-century devotion and contemporary philosophy, this exhibition traces the enduring continuum of printmaking—where pape...

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ALTERNATIVE ENTERTAINMENT: BÉLA TARR, I STRUGGLE TO NEGOTIATE

In this personal tribute by Sharad Raj, the author reflects on Béla Tarr’s cinematic legacy, his...

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TRENDING: A SYMPHONY OF MODERN MASTERS

Step into a luminous celebration of India’s modern art legacy, where Raza, Gaitonde, Mohamedi, and Souza unite in an exquisite dialogue o...

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MOVIES: A GENTLE DOWNPOUR OF INDIE SUCCESS

Ritopriyo Saha’s short film Chhoti Baarish (Little Rain) is creating ripples across the global festival circuit — from Ban...

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BOLLYWOOD: GULZAR’S SCREENPLAYS BEYOND HIS DIRECTION

Gulzar, one of Indian cinema’s most revered storytellers, possesses a distinctive voice as a screenplay writer, separate from his celebra...

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MOVIES: DANCE OF PUPPETS AND DESIRE

Suman Mukhopadhyay’s Putulnacher Itikatha adapts Manik Bandopadhyay’s classic novel with sensitivity and cinematic depth, ...

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FESTIVALS: CHESS MOVES AND SILENT TRUTHS

Amidst monsoon whispers over Versova, WIFF’s June showcase spotlighted brave short films—The Pawn of Marottichal a...

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FESTIVALS: LANDSCAPE AS A VISUAL BIOGRAPHY

Julia Romano’s Memories of India reimagines landscapes as visual biographies—layered digital collages blending architectur...

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ALTERNATIVE ENTERTAINMENT: THROUGH A MASTER’S LENS

Khalid Mohamed in conversation with the celebrated lensman, Rafique Sayed, on the vital essence of photograph...

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