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PRATIBHA SUMAN: REFUSING PRESCRIBED BOUNDARIES

From a small-town childhood to theatre, cinema, poetry and cultural activism, Pratibha Suman tells Vinta Nanda how independence shaped ...

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WIFF MUMBAI TALKS CHANGING CINEMA

In the run-up to WIFF Mumbai 2026, The Daily Eye brings you the unmissable conversations of 2025—when dialogue became the beating...

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THIRTEEN DAYS WHEN HUMANITY HELD

At an intimate Mumbai screening of Martin Bourboulon’s 13 Days, 13 Nights, the fall of Kabul became more than history re...

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PINJAR REVIEW: FREEDOM BEYOND THE CAGE

Saibal Chatterjee reviews Rudrajit Roy's Pinjar, a deeply humane drama about freedom, identity, gender and survival, examining how invisible ca...

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CHASING SHADOWS IN A LOVELESS WORLD

Brij Bhushan, journalist and author, reviews Khalid Mohamed's Not Quite Family: An Intimate Memoir of Bollywood. Recently publ...

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THERE IS ALWAYS ROOM AT THE TABLE

As debates around immigration, citizenship and belonging intensify worldwide, Vinta Nanda writes about Shared Table: Regional Heroe...

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PRAMOD PAWAR HONOURED FOR THEATRE

Prof. Dr. Avinash Kolhe celebrates Sangeet Natak Akademi awardee Pramod Pawar, whose remarkable journey through Marathi theatr...

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BARNALI RAY SHUKLA ON CINEMA, LIFE, POETRY

Writer, filmmaker and poet Barnali Ray Shukla speaks to Vinta Nanda about poetry, independent cinema, Satya, marriage...

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THE UNIQUE LEGACY OF THE ANAND BROTHERS

In this evocative reflection, Prof. Dr. Avinash Kolhe revisits IPTA's Anand Hi Anand, celebrating the remarkable legacy of Che...

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STUDENT CITY PART 5

In Prof Dr Piyush Roy’s Student City Part 5, a volatile night at a Pune B-School disc changes friendships, loyalties and...

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