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Alternative Entertainment

IDENTITY, EXILE, MEMORY AND DEATH

Devdutt Trivedi examines Pankaj Rishi Kumar’s To Die a Frenchman through phenomenology, absurdism and existentialism, Read More

Retroscope

RETROSCOPE: LOOKING BACK AT WHAT ENDURES

A year of remembrance and resistance, where Khalid Mohamed, Monojit Lahiri, Shantanu Ray Chaudhuri, Devdutt Trivedi, Utpal Datta and Sa...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: THE MANY WAYS WE LOOKED IN 2025

A sweeping year-end chronicle of cinema, culture, memory, rebellion, and conscience—where filmmakers, critics, and artis...

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Alternative Entertainment

ALTERNATIVE ENTERTAINMENT: ABOUT PSYCHOANALYTIC MOTIFS

 

Devdutt Trivedi critiques David Cronenberg's Crimes of the Future Read More

Retroscope

RETROSPECTIVE: CINEMA, CONSCIOUSNESS AND TIME

Exploring Shumona Goel’s experimental cinema through fragmented time, sensory aesthetics, and urban modernity, this analysis connects her...

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Kaleidoscope

KALEIDOSCOPE: A YEAR OF CELEBRATING LITERARY VOICES

Highlighting a year of literary exploration, The Daily Eye celebrates impactful articles that amplify diverse voices, inspire ...

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Trending

TRENDING: SUPPORT INDEPENDENT JOURNALISM KEEP AUTHENTIC STORIES ALIVE

Support Independent Voices: Help The Daily Eye Grow from Print to Film and Continue Amplifying Authentic Stories in a...

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Kaleidoscope

KALEIDOSCOPE: CINE-INTERIORS BY DEVDUTT TRIVEDI

Devdutt Trivedi, a film scholar, reassesses Mani Kaul's cinema in his book "Cine-Interiors: The Films Of Mani Kaul," which is reviewed by Read More

Alternative Entertainment

Revisiting Mani Kaul’s Mini-series Ahmaq

Devdutt Trivedi writes that in Ahmaq, Kaul wanted to underline the symbiotic relationship between Hinduism and Islam.

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Alternative Entertainment

The films of Maya Deren

Between MacGuffin and Transference is the empty signifier that carries her film ‘Meshes of the Afternoon’ forward, writes D...

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