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TRENDING: SUPPORT INDEPENDENT JOURNALISM KEEP AUTHENTIC STORIES ALIVE

Support Independent Voices: Help The Daily Eye Grow from Print to Film and Continue Amplifying Authentic Stories in a...

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THOUGHT FACTORY: A CAR FOR MR. CHATTERJEE!

An unforgettable encounter: How selling our Ambassador car led to an evening with Bengali cinema legend Soumitra Chatterjee. Vandana Ku...

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STRAW DOGS: POETICS OF VIOLENCE OR MISOGYNY?

Based on a novel by Gordon Williams – ‘The Siege of Trencher’s Farm’, it was also my first exposure and my starting poi...

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I WOULDN’T HAVE IT ANY OTHER WAY!

Vinta Nanda explores the making of a poet, reaching nowhere obviously, because ‘if we knew what makes a poet, everyone w...

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Childhood, Holocaust and the Cinema of Louis Malle

Louis Malle’s semi-autobiographical 1987 film ‘Au revoir les enfants’ or ‘Goodbye, Children’ belongs to this rare...

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The Comic World Of Pierre Étaix

Vandana Kumar writes: ‘Le Grand Amour’ (The Great Love) 1969 is a French comedy that introduced me to its director...

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Lenses, Women & Trauma

Cinema from Israel has been getting a lot more recognition globally – in terms of prestigious awards and academic courses revolving aroun...

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Crime Drama, Women and Claude Chabrol!

Writes Vandana Kumar, “No one takes you away from one-dimensional morality while trying to fathom his women charact...

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A Sip of Georgia

Vandana Kumar reminisces about her visit to Georgia where she discovered that it is the country where wine originated. Unlike in France, which has a tradit...

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The Poetry of the Quotidian of Aki Kaurismäki

Vandana Kumar writes, “To think of Finnish cinema, is to think of Aki Kaurismäki. Apparently, this perception isn&r...

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