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Thought Box
A Life in Translation: Gita Krishnankutty
Gita Krishnankutty is a name inextricably intertwined with the history of Malayalam translations into English, writes Janaky Sreedharan Even before translation be...
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Signs of the Time: Call of the Valley
This week Humra Quraishi looks into the way Kashmiri youth and their future is impacted due to communal politics in the Valley and outside too. First things first, sal...
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Ritu Nanda’s memoir by Sathya Saran
Being Ritu Nanda: The Unforgettable Story of Ritu Nanda was released recently, here’s the writer Sathya Saran in conversation with Vinta Nanda, along with an excerpt fro...
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Signs of the time: For God’s Sake, Be Human!
This week Humra Quraishi questions politicians and lays out bare facts – about human rights and political mischief that vitiates the atmosphere between communities - whi...
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Game Changer, Marketer, Entertainer, Interpreter: The Film Critic
Monojit Lahiri investigates through the incisive commentary of critics as well as filmmakers, what film reviews and film criticism is all about. Let’s face it. India is...
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‘The Poetic Minimalism’ of Abbas Kiarostami
Abbas Kiarostami (1940-2016) is unarguably the most known face of Iran on the map of World cinema, writes Vandana Kumar After seeing not just a couple of his films, bu...
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A letter to my younger self
Farrukh Dhondy writes to himself in this hilarious yet very poignant piece. You ‘must’ read it! Dear Farrukh, Being born three years before India gained its Inde...
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Death of the language and a metaphor
Humra Quraishi expresses her anguish at the mindless violence and hatred spreading across India, which is also attacking the country’s syncretic culture. No matter how ...
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Meet Vibha Batra, the compulsive writer
When you meet someone who has done so much work in such a short span of time, you cannot help but be intrigued, writes Vinta Nanda Here I reproduce a conversation that I had w...
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Another Ravi Varma: Mankada
Kerala Varma talks about the magic in the work of the low profile cinematographer of Adoor whose work made the layman sit up and notice the camera! I first heard of Malayalam...
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