Thought Box

A dog, a boy and a film: Musings on Kala

Janaky Sreedharan reviews the Malayalam film Kala (the unwanted) and raises questions on the obsession with violence and its display on screen in the name of settling certain ...

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Signs of the times: India’s battle for its soul

Humra Quraishi looks back at the last seven years in India, through the lens of A.G. Noorani’s writings about the RSS and Ruskin Bond’s verse. For several minut...

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Rediscovering a Genius Artist

Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now documenting the art of Walter Spies whose life in Bali ...

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Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and intellectual. The dictionary definition of mise ...

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Sidharth Sengupta: Goldie’s Serial Count!

Aparajita Krishna makes a tortoise run, and faster than a hare, when she wants. Here she makes a reclusive but one of the most accomplished television storytellers and creator...

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The Discreet Charm of the Bourgeoisie

Sharad Raj writes that Bunuel has been called a cruel filmmaker, he sees that we are hypocrites, admits to being one and believes we were probably made that way. Octavio Pa...

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How civilized is the civilized world?

Vinta Nanda insists that we, the so-called civilized people, talk about poverty, violence and exclusion. Let us talk about what it means to be born under the sky and be vic...

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Born to act: Ahlam Khan Karachiwala

Aparajita Krishna takes a walk through the life of actor Ahlam Khan Karachiwala, born to Indian cinema’s most loved Amjad Khan and his stunningly beautiful wife Shehla K...

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Failed promises of the right wing: Andrzej Wajda

Sharad Raj transports you back to the film Ashes and Diamonds - an all-time masterpiece of Polish cinema, directed by one of the most important filmmakers, Andrzej Wajda. C...

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Signs of the times: Death and Destruction

Humra Quraishi recalls Saadat Hasan Manto in the month of his birth, and imagines what he would have said and written in these tragic times. May stands for Manto - after al...

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REVIEW: HAPPY PATEL - KHATARNAK JASOOS IS BIG ON INTENT, LIGHT ON LAUGHS

The actor-director’s spy spoof aims for absurdist satire but collapses under stere...

January 21 2026

POWERFUL PEOPLE: 55 YEARS ON, MERE APNE’S RELEVANCE

Khalid Mohamed in conversation with the indefatigable poet, lyricist, story-script-write...

January 20 2026

KALEIDOSCOPE: LUCKNOW BETWEEN PAST AND NOW

Cultures are never frozen in time, they keep moving, keep evolving.Filmmaker and writer ...

January 19 2026