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SAATH TERA: POETRY BECOMES SONG
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WOMEN’S NETWORKS DRIVE CAREER SUCCESS
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STUDENT CITY SEASON TWO BEGINS
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SHAMMI KAPOOR: BOLLYWOOD’S ETERNAL REBEL
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KASTOORI: CINEMA, DIGNITY AND SELF-RESPECT
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THE JUST: POLITICS, MORALITY, VIOLENCE
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BATWARA 1947 REVIEW: SHABANA AZMI
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SRIDEVI: BOLLYWOOD’S MOST MAGICAL SUPERSTAR
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WHY WOMEN MUST CLAIM VISIBILITY
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IAA LEADERSHIP AWARDS HONOUR ICONS
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Alternative Entertainment
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LET THERE BE MUSIC
Khalid Mohamed replays a rare interview with Mani Ratnam on the director’s start-off collaborations with the then-fresher composer A.R.Rahman with Roja, Thiruda Thiruda ...
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A Border Love Story
Khalid Mohamed narrates the bittersweet tale of meeting his aunt, the major Pakistani filmstar Zeba Ali and her equally famous husband Muhammad Ali, when such reunions were po...
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FLASHBACK & FORWARD
Mahabanoo Mody-Kotwal, Om Katare, Ishitta Arun are performing artists who represent three generations respectively, writes Aparajita Krishna This article carries a flashback ...
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Imagination: The fodder of existence
An analysis of Atanu Ghosh's Binisutoy (Without Strings, Bengali, 2021), by Dipankar Sarkar Set up and pay-off has always been at the helm of narrative fiction dealing with d...
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Srijit Mukherji: A Filmmaker at a Crossroad
Three releases in a month, a fourth lined up. Is Srijit Mukherji spreading himself too thin? Shantanu Ray Chaudhuri looks at his recent releases and catches up with ...
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FLASHBACK TO FORWARD
Today Aparajita Krishna is under the spell of stories of the past and present of Producer, Director Vinod Pande, Thespian MK Raina, Cinematographer Dharam Gulati, Radio Jockey...
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HIDAYAT SAMI: Spotlighted!
It’s Hidayat Sami who Aparajita Krishna meets today to explore his vast repertoire as an actor, director, light-designer, playwright and producer. Hidayat Sami’s ...
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SALUTING THE MEMORY OF THE EVERGREEN AWARA
Monojit Lahiri pays homage to India’s greatest showman, the one and only - Raj Kapoor. At a time when the Khans, Akshay, Ajay, Hrithik, Ranveer & Ranbir blitz the m...
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DEVDAS: The Many Incarnations!
Aparajita Krishna visits Sarat Chandra Chattopadhyay’s Bengali novel published in 1917, but said to have been written in 1901, which has not only had a very long running...
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