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EMOTIONAL INTELLIGENCE AND THE HUMAN FACTOR
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A LAST CALL FOR THE PLANET
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FORGOTTEN DANCING QUEEN OF HINDI CINEMA
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MOTHER MYTH MAN CALLED SHAKESPEARE
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HALF CAULIFLOWER, PIECE OF CAKE
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DEBATING NATIONALIZATION OF MEDICAL COLLEGES
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DELHI’S GRAND CINEMATIC AMBITION
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THE ETERNAL CRISES OF FILM SCHOOLS
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INDIAN FARMERS BLINDSIDED BY CINEMA
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INDIAN CINEMA CONQUERS GLOBAL STAGE
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Alternative Entertainment
Troubled waters: The fishing community of Worli Koliwada
A photo-feature by Vatsal Shah on the beleaguered fishing village of Worli Koliwada, before and after the outbreak of the pandemic. Way before the worldwide outbreak of...
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Shot by Shot: Politics of photography
Young photographer Vatsal Shah writes on the obstacles in the way of becoming a professional photographer in India Theories about photography can be broad generalisations or ...
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No Entry: Hazards in staging a theatre play in Mumbai
Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear’s courtesans. All the world’s a stage;...
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Cinema of Resistance
Reema Moudgil walks us through some compelling cinema over the last seventy years of India’s independence, which has chronicled resistance of the oppressed against their...
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Re-Engineering Culture: Majha House
Preeti Gill, founder of Majha House in Amritsar, tells about the place, which asserts Punjab’s rich history of performance, literature and art. She says, “The idea...
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ART SALUTES WORKERS
Khalid Mohamed writes on the imperative need for Indian artists to express their strong views on the state of nation under lockdown today. News is that artists, stretch...
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The Last Concert
Begum Akhtar passed away a day after her concert in Ahmedabad on 29 October, 1974. Here’s a rare photo-essay of that enchanted evening by Ashok Sood. (Photos copyright: ...
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Hollywood icon: The Rock
Khalid Mohamed reviews the Netflix mini-series, Hollywood, which in part attempts to depict the story of the iconic Rock Hudson’s struggle with same-gender sex. It&rsqu...
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Ray lives on
His films are what Akira Kurosawa’s are to Japanese cinema, Robert Bresson’s to France and Michelangeo Antonioni to Italy. Khalid Mohamed remembers The Master, Sat...
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Sabir Masani ki Ajeeb Daastan
Meet a film writer who has been denied his just dues and name in the credits Khalid Mohamed As far as I know, it was the intrepid actor-occasional writer-and-frequent-stockt...
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