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MARDAANI 3 RETURNS WITH GRIT AND LIMITS

In his review, critic Arnab Banerjee examines how Mardaani 3 revives Shivani Shivaji Roy with urgency and moral force, while q...

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SHOBHAA DE STRIKES AGAIN, AGE HAS NO LIMITS

WARNING! DANGER AHEAD FOR - THE PRUDISH PURITANICAL…SHOBHAA DE STRIKES AGAIN!! Monojit Lahiri offers personalized observations on the un...

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POWERFUL PEOPLE: IDEAS BECOME MOVEMENTS HERE

A conversation between Vinta Nanda and Shenali Rajaratnam, a young global leader shaping future governance, d...

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POLITICS: DISTORTING HISTORY AND SPREADING HATE

Textbooks are increasingly misrepresenting with deletions and distortions altering historical facts. This alarming trend, with targeted violenc...

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MANI KAUL’S ICONOCLASTIC USKI ROTI

This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...

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It was raining hits

Film historian Dhruv Somani, writes a comprehensive account of the disco monarch, the late Bappi Lahiri.

Half a lifetime: Rahul Vohra

It’s a dress-circle view that Vinta Nanda brings,...

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Sign of the times: Bollywood Missing

First things first, where are all the Bollywood stars that have played roles of farmers, writes ...

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No place to hide

Humra  Quraishi writes this short story about a brother, who comes visiting his sister to...

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#MeToo Movement in India

On October 15, 2017, actress Alyssa Milano encouraged spreading the hash tag #MeToo, in an attempt to draw attention to s...

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