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RETROSCOPE: MAN WITH THE GOLDEN GUITAR

Khalid Mohamed replays the life and oeuvre of Van Shipley, who was a formidable name once, but has never been acknowledged in ...

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TRENDING: COMPLEXITY, NUANCE, POLITICAL CORRECTNESS & SHAM

From Aryan Khan’s debut to Dhadak 2, Heart Lamp, and fifty years of Sholay, this article by Sharad Raj...

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KALEIDOSCOPE: BOLLYWOOD MOVIES WERE MY TEACHERS

A personal journey from street performances and film posters to poetic storytelling, Utpal Datta traces how an unexpected ques...

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ALTERNATIVE ENTERTAINMENT: SONGS AND TRUTH OF SATYAKAM

Exploring how Hrishikesh Mukherjee's Satyakam uses songs to deepen emotional connections, address moral dilemmas, and reflect the soci...

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GET READY FOR ARSLAN NIZAMI, DRV AND BOYBLANCK AND DANISH AHMED!

It’s a wonderful set of music releases with artists like Arslan Nizami, DRV and Boyblanck and Danish Ahmed that The Daily Eye #Newsdesk r...

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Two-in-one

Film historian Dhruv Somani tracks the double-pronged career of Feroz Khan, as an actor and director of tremendous s...

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Rhythm ‘n’ Blues

Megha Ramaswamy’s documentary, The Last Music Store, entices Khalid Mohamed to stroll down the memory lanes of Rhythm Ho...

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Celebrating Bachchan!

It’s his 79th birthday on the 11th October, and S M M Ausaja writes that It’s not easy to ch...

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Teachers: Stop systematic destruction of JNU

A press conference was held on 1st March 2021, to reiterate as to why the destruction is unsustainably dangerou...

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SMM AUSAJA: Keeper Of Our Cine-Heritage & Memorabilia

SMM AUSAJA, our man in the frame, deserves not just this mere article, but perhaps books on him writes Aparajita Krishna.

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