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ANAND HI ANAND: PRESERVING CINEMA LEGACY

Writer and theatre practitioner Sohaila Kapur reflects on the creation and success of Anand Hi Anand, a unique theatr...

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ALTERNATIVE ENTERTAINMENT: AMA’S DANCE AND BEYOND

Ama Nethmi, the rising star of Sri Lankan dance, discusses her mesmerizing performance in Tharindu Ramanayaka's short film "This is not a P...

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TRAVELLING ON THE ROAD TO THE AMERICAN DREAM

Vidyut Latay’s documentary film “Alien” is selected for screening at Tasveer South Asian Film Festival (TSAFF 23). I talk to ...

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Rhythm ‘n’ Blues

Megha Ramaswamy’s documentary, The Last Music Store, entices Khalid Mohamed to stroll down the memory lanes of Rhythm Ho...

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The uphill struggle to adulthood

A critical analysis of Rima Das’s Bulbul Can Sing (2018) by Dipankar Sarkar.

With h...

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Sagar Sawarkar & the Indian Idol Connect!

Aparajita Krishna travels with Sagar Sawarkar’s musical journey and shares her experience with us.

Against All Odds

Film historian Dhruv Somani, tracks the once super-succ...

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When R.D. Burman met the Jazzman

Edited excerpts from the book Louis Banks: A Symphony of Love by Ashis Ghatak

As a young ...

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Female Sexuality Needs a Nuanced Direction in Bollywood

Female sexuality is one of the least explored themes in Bollywood, probably due to the fact that filmmakers see...

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Giuseppe Verdi’s Masterpiece: A Retirement Home for Musicians

The problem of old age loneliness persists among retired musicians too. Giuseppe Verdi, an Italian opera compos...

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