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THOUGHT FACTORY: IS SHE ACCURATELY PORTRAYED BY AD-LAND?

Monojit Lahiri does a checkout of what’s going on in ad-land and how much it has evolved (or not?!!) to accommodate toda...

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POLITICS: DANCE OF THE DEVIL TO THE MUSIC OF HORROR

With social media abuzz with the visit of Mark Zuckerberg and Bill Gates to Jamnagar for the huge wedding, Humra Quraishi...

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ALTERNATIVE ENTERTAINMENT: THOSE FREEZE SHOTS OF TARUN MAJUMDAR

Satyabrata Ghosh explores the genesis and evolution of the freeze shot used by auteurs of cinema to capture a lasting impact o...

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ALTERNATIVE ENTERTAINMENT: BETWEEN REALITY AND REPRESENTATION

SHUDDHI is an emotional journey, a call to action, and a symbol of hope all in one. It aims to generate renewed discussion on Leprosy. A rare f...

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GENDER: ZERO TOLERANCE TOWARDS SEXUAL HARASSMENT

Vinta Nanda in a conversation with General Secretary of CINTAA about what it takes to have zero tolerance for sexual harassmen...

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POLITICS: A WINTER OF DESPAIR WRITES SURANYA AIYAR

Humra Quraishi explains what it means to be a member of the minority community in these times and reproduces a part of what Su...

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KALEIDOSCOPE: HUMRA QURASHI’S BOOK IS A WAKE UP CALL

Humra Quraishi’s book, The Diary of Gull Mohammad - A Kashmiri Muslim boy’s journey from Kashmir to Kerala, is an eyeopener. Once i...

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ART HOUSE: THINKING ABOUT JAANE BHI DO YAARO

Jaane Bhi Do Yaaro (Just Let It Go, Friends) is a 1983 black comedy directed by Kundan Shah and produced by the NFDC. It is a satire on bureauc...

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HYPOCRISY AND DOUBLE STANDARDS ARE DESTRUCTIVE

Humra Quraishi elaborates on the double standards of the right-wing government in India, and warns that what is taught in scho...

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MY LIST OF THE MOST POWERFUL PEOPLE OF 2023: VINTA NANDA

In a world dominated by mainstream narratives and established structures, the celebration of independent art, business, social work, and litera...

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