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Tara Kaushal: Why Men Rape

Vinta Nanda interviews author Tara Kaushal, on the eve of the release of her book Why Men Rape...

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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Copy-right-Copy-wrong

Veena Bakshi reveals the flawed system by which our Indian entertainment universe operates; where copyrights holders may as we...

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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

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Politically Left Handed: Subhashini Ali

Vinta Nanda chats with Subhashini Ali about why after a long time and now in the times of COVID-19, when all other politics se...

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Labour, Rights, Disaster and Capitalism

The global pandemic crisis gripping the world currently has claimed over a quarter of a million lives. It has decimated livelihoods and incomes...

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Saluting Akbar Padamsee, an artist and a beautiful mind

It was with a tentative sense of bravado that I had approached Akbar Padamsee, supremo artist, for the use of one of his brilliant metascapes &...

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Back to Basics: Political Organizations in India

In progress and evolution, few basics always remain fundamental to any system or organization. But it so happens that advancement of thought le...

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CAMPION TALES OF OLD BOMBAY

Producer, Director and Actor Rajiv Kapoor, shared this precious piece written by his school mate John Mani, with me on Whatsapp last night and I publish it here in The ...

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Why I will invest in the Congress! Rudresh Kaul

Rudresh Kaul writes, “I have always believed that learning and sharing go hand in hand.”