The Good Story And The Bad Story

Vinta Nanda reflects on discussions surrounding the OTT guidelines announced by the government of India

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Review: Searching for ‘Happiness’

Originating from a conversation with his seven-year-old daughter, Suman Ghosh’s new film is an ode to the city of Kolkata, writes Read More

Exploring the Darker Side

After watching a couple of her films, Vandana Kumar believes, that it couldn’t be merely a coincidence that Isabelle Hup...

India flattens curve, but precautions are a must

Dr. Kishore Madhwani writes on the flattening of the COVID-19 graph in India, and emphasises that COVID Appropriate Behaviour ...

So long, farewell, it’s hard to say goodbye…

I’m a writer, but I am at a complete loss of words when expressing the pain I’m feeling after losing my best friend Rajiv Kapoor, w...

Such a wonderful journey!!

Film historian Dhruv Somani, a self-confessed admirer o...

Sign of the times: The Distance Between Us

With focus on Netaji Subhas Chandra Bose, I recall my meetings and interview with his close aide, Captain Laksh...

Now, over to a Slumtiger Millionaire

Khalid Mohamed reviews the so-so The White Tiger, is impressed by Zid Ki Jeet and thumbs up the golden oldie Indiscreet. Read More

Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood