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RAMAYANA PART ONE: EPIC RETELLING
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THE NEW BUSINESS OF ENTERTAINMENT
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IS FACE FUZZ TRENDING NOW?
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THEATRE AND THE POWER OF INCLUSION
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PYRE: A PORTRAIT OF ABANDONMENT
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AAKHRI RIDE: MUMBAI AFTER DARK
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EK HAAN BRINGS MANTO ALIVE
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DIWALI IS SERVED WITH LOVE
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AI, ART AND THE HUMAN RIGHT TO CREATE
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CHEF VINITA GHATGE ON REINVENTION
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Search ResultUndekhi: Plain Vanilla, Distasteful Hype
Dr Sandeep Goyal says that SonyLiv's latest thriller offering Undekhi, has landed itself in an unenviable soup of its own maki...
Read MoreThe End of a New Beginning
Sandeep Goyal says that the one thing he has never understood about TikTok is – why does...
Read MoreThe Guru: Gautam Rajadhyaksha (1950-2011)
Khalid Mohamed writes on the imperishable legacy of the pioneering photographer of celebrity portraits.
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Mind Your Language: Vidya Balan on how to get the ps and qs right
Khalid Mohamed frazzled by today’s Bollywood language, talks to Vidya Balan on how she g...
Read MoreShot by Shot: Politics of photography
Young photographer Vatsal Shah writes on the obstacles ...
Read MoreNo Entry: Hazards in staging a theatre play in Mumbai
Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...
Read MoreOf human bondage: National award-winning photo-journalist’s S.L. Shanth Kumar’s believe-it-or-not real-life story
He snagged this year’s National Award for the Best Professional Photographer on the theme of Women-led Development. Right now, he’s...
Read MoreCAMPION TALES OF OLD BOMBAY
Producer, Director and Actor Rajiv Kapoor, shared this precious piece written by his school mate John Mani, with me on Whatsapp last night and I publish it here in The ...
Read MoreWhistling Woods International at Aiyanna 2019
Mumbai 20th June 2019: Ingenious designs, global sensibilities, sustainable ideologies and some of the best dressed audience in town in a...
Read MoreWhen Duty Calls
What happen when a reporter becomes a news story herself, and is hounded by scoop-seeking journalists? Fiona Barton’s third novel, <...
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