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REKKA - Robindranath Ekhane Kawkhono Khete Aashenni

Shantanu Ray Chaudhuri: Hobbled by a stodgy screenplay and two uninspiring lead performances, Srijit Mukherji’s adaptati...

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Bringing up Baby

On the heels of the success of Mimi, film historian, Dhruv Somani, writes on the subject of surrogacy depicted in the Bollywoo...

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BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

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CLASSIC HEIST: Six Films That Define the Genre

For a generation weaned on the high-tech-and-gizmo-aided heist of Steven Soderbergh’s Ocean Eleven or Dom Cobb’s equally SFX-aided ...

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Animal Kingdom

A throwback by film historian Dhruv Somani, to the Bollywood movies in which wonder animals would prove to be proverbial scene...

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It happened one night: Mohanagar

Shantanu Ray Chaudhuri reviews Mohanagar, the latest offering, from Bangladesh, on the streaming platform Hoichoi

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Joy of Acting

Khalid Mohamed talks shop and more with Ali Fazal, who has wowed audiences with a wide range of films like Fukrey and Victoria...

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A Quart of Ray

Ever since Satyajit Ray passed away, his works have made it to the screen in sterile, ineffectual adaptations. Netflix’s Ray corrects tha...

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The Incredible Story of India’s First Miss India

Khalid Mohamed pays tribute to the first Miss India (1947), Esther Victoria Abraham, who becam...

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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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