Breaking News
- Bollywood
RAMAYANA PART ONE: EPIC RETELLING
0 - Thought Factory
THE NEW BUSINESS OF ENTERTAINMENT
0 - Business and Politics
IS FACE FUZZ TRENDING NOW?
0 - Powerful People
THEATRE AND THE POWER OF INCLUSION
0 - Bollywood
PYRE: A PORTRAIT OF ABANDONMENT
0 - Alternative Entertainment
AAKHRI RIDE: MUMBAI AFTER DARK
0 - Kaleidoscope
EK HAAN BRINGS MANTO ALIVE
0 - Festivals
DIWALI IS SERVED WITH LOVE
0 - Thought Factory
AI, ART AND THE HUMAN RIGHT TO CREATE
0 - Gender
CHEF VINITA GHATGE ON REINVENTION
0
Search Result
Search ResultPosters Forever!
Khalid Mohamed, tracks the spiralling demand for nostalgia-exuding vintage Bollywood posters a...
Read MoreCLASSIC HEIST: Six Films That Define the Genre
For a generation weaned on the high-tech-and-gizmo-aided heist of Steven Soderbergh’s Ocean Eleven or Dom Cobb’s equally SFX-aided ...
Read MoreThree Colours: Red - A celluloid poem
Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...
Read MoreRediscovering a Genius Artist
Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now docume...
Read MoreMise en scene: a metaphysical expression
Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...
Read MoreFailed promises of the right wing: Andrzej Wajda
Sharad Raj transports you back to the film Ashes and Diamonds - an all-time masterpiece of Polish cinema, directed by one of the most important filmmakers,...
Read MoreWhen men change and repent: Cinema of Kenji Mizoguchi
Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...
Read MoreReflecting humanity through the struggle of a woman: Federico Fellini
Much before he made 8 ½, Federico Fellini, the Italian master, had honed his neo-realist pursuits, writes Sharad Raj. <...
Read MoreAvijatrik: The Wanderlust of Apu
It is to the credit of Subhrajit Mitra and his creative and technical team that Avijatrik manages to trace its own path, writes Shantan...
Read MoreThe Woman in White





Film historian Dhruv Somani re-assesses Raj Khosla’s iconic suspense-filled Woh Kaun Thi, produced by NN Sippy under his...
Read More