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Signs of the times: Death and Destruction

Humra Quraishi recalls Saadat Hasan Manto in the month of his birth, and imagines what he would have said and written in these...

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When men change and repent: Cinema of Kenji Mizoguchi

Men are at loose ends without women to enslave, to desire, to abandon. Sharad Raj explores why the director is forgiving of th...

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The narrative doesn’t hit home: Tangra Blues

Acclaimed documentary filmmaker Supriyo Sen’s debut feature never quite hits the narrative highs, existing in the zone between good visua...

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An auteur in the true sense: Werner Herzog

The new wave German cinema with its mighty generals like Wim Winders and Reiner Werner Fassbinder had a maverick for company, an eccentric geni...

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KABHI BLOOD KABHI PIZZA

Khalid Mohamed shudders at the gorefest Chakravyuh, finds sweet relief in Gullak 2, and checks out the Oscar-nominated Sound o...

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Does Naaz Patel have a dirty mind?

Even when the Myntra logo controversy ignited by her broke out, there was only sparse information on her on the Internet, writes Dr. Sa...

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Right at the Centre: Anuradha SenGupta

Anuradha SenGupta’s introduction of herself as a professional, best summarizes her writes Aparajita Krishna  Read More

Sign of the times: The Distance Between Us

With focus on Netaji Subhas Chandra Bose, I recall my meetings and interview with his close aide, Captain Laksh...

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The Cinema of Tengiz Abulnadze

All of Abulnadze’s important films especially his much acclaimed The Georgia Trilogy exemplify the key fe...

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And the rest is hysteria

Khalid Mohamed reviews the annoyingly overwrought Kaagaz, the understated Sir and recommends A...

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