Nervous Edges and Hesitant Hands: NAZAR -1989.

I had just passed out of FTII in 1989 and I was on my first feature as the Assistant Cameraman, reminisces Rafay Mahmood

Black-and-white in colour

Khalid Mohamed recounts his emotional-laden encounter with the legendary French multi-media artist, Jean-Paul Goude, on a cham...

India's Enid Blyton: Monarose Sheila Pereira

'The Portrayal of children in the media' a talk by children's author Monarose Sheila Pereira, was presented on ...

Goodbye FarmVille! It was fun harvesting.

On 31 December, Zynga shut it down, 11 years after a glorious start, writes Carol Goyal

I...

Sculpting in Time

Sharad Raj revisits Tarkovsky’s film Mirror (Russian), released in 1975 and he expresses, in this piece, its art, aesthe...

Of human bondage

Khalid Mohamed’s throwback to his encounter with social documentarist, Sebastio Salgado, whom he rates as the world&rsqu...

The loneliness of an Indian (virgin) Bride

What are Indian wedding dreams made of? – a question Janaky Sreedharan answers as she views it through the lens of the r...

My city, my friend

Khalid Mohamed in a chat fest with Harshad Rajadhyaksha, Chief Creative Officer at the Ogilvy ad agency, on his passion for st...

Signs of the time: Reality of our Democracy

The images of my farmers sitting on the borders of the capital  city,  braving it out, make me despair, says Humra Quraishi Read More