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Search ResultBOLLYWOOD TIK-TALK: BRIDGING GAPS AND SHAPING THE FUTURE OF STORYTELLING, AND MUCH MORE
Looks like this is the season of festivals, events and exciting things. From Karan Johar inaugurating Celebrate Cinema at WWI to Shilpa Shetty ...
Read MoreJAYA BHADURI: SIGNATURE-SUPERSTARDOM REVISITED
“Jaya Bhaduri’s diminutive physical frame had cast a large image across the screens of India”, writes Aparajita Krish...
Read MoreANKUR: THE SAPLING OF PARALLEL HINDI CINEMA
“In the early 1970s, a new class of population was emerging in India, which had started to get rid of the legacy of the past and reboot t...
Read MoreARDH SATYA: TRAPPED IN A LABYRINTH OF DECEPTION
O.P. Srivastava travels back in time to reflect on Govind Nihalani’s Ardh Satya (Half Truth) written by Vijay Tendulkar,...
Read Moreपानइंडिया (PaanIndia!)
The history of Paan has mythological as well as historical and Ayurvedic references, writes Aparajita Krishna.
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AMIT KHANNA’S JOURNEY AS A LYRICIST
Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...
Read MoreHRISHIKESH MUKHERJEE: THE EVERYMAN FILMMAKER
Hrishikesh Mukherjee passed away at the age of 83 on 27th August 2006. On his 17th death anniversary Shantanu Ray...
Read MoreMANI KAUL’S ICONOCLASTIC USKI ROTI
This film is a juxtaposition of slow-moving close-ups and wide shots layered with lots of silence and interspersed with a few monotonous dialog...
Read MoreNEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA
A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...
Read MoreSHAMIR TANDON: MAKING MUSIC & INNOVATIONS!
Aparajita Krishna talks to Shamir Tandon, who has heard, seen, faced music (smiling emoji) from both behind-the-scenes busines...
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