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The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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Rediscovering a Genius Artist

Khalid Mohamed in conversation with Patrick Bensard, director of the prestigious Cinematheque de la Danse of Paris, now docume...

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Failed promises of the right wing: Andrzej Wajda

Sharad Raj transports you back to the film Ashes and Diamonds - an all-time masterpiece of Polish cinema, directed by one of the most important filmmakers,...

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Lal Ghaas Par Neela Ghodha: The Irrfan I knew

Irrfan became a regular visitor to FTII campus and therefore a participant in many “daru” and &ldqu...

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Easter Reflections

Christians share their reflections with Monarose Sheila Pereira, this Easter. Over to them...

Climates: A metaphor for changing human behavior

Since the time of Ataturk, Turkey has been home to westernized intellectuals, writes Sharad Raj ...

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Sign of the times: Silencing Zillennials

Humra Quraishi expresses anguish at the systematic crushing of dissent among the young generations today.

Journey of a Passionate Tale-Spinner

Janaky Sreedharan presents Nabanita Deshmukh, a storyteller who follows a unique process to engage with children.

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Sign of the times: Helpless Spectators

I wish I was a poet - with that, I could have unleashed my anguish and anger in verse, writes Humra Quraishi

Madhumati: A classic revisited

Film historian Dhruv Somani flashbacks to Bimal Roy’s classic ghost story, which continues to be mint-fre...

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