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Alternative Entertainment

Whose normal is it anyway?

Vandana Kumar goes around John Cassavettes’ ‘A Woman Under the Influence’ and discusses how Independent Cine...

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Alternative Entertainment

The Hairdresser’s Husband: Too Much of a Good Thing?

Vandana Kumar explores how a film like The Hairdresser’s Husband starts as a man’s...

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Alternative Entertainment

Three Colours: Red - A celluloid poem

Mallika Bhaumik reviews Krztysztof Kieślowski’s Three Colours Red and reads the auteur’s mind while elucidating her own thoughts ...

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Powerful People

Usha Ganguly: A Curtain-Call

Aparajita Krishna walks you through the rich life of theatre stalwart Usha Ganguly, through Om Pareek’s experience of ha...

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Hollywood

Hitchcock’s Shadow

Khalid Mohamed writes on the influence of the Master of Suspense on Bollywood movies, which was infinitely preferable to blood...

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Alternative Entertainment

Mise en scene: a metaphysical expression

Sharad Raj writes that to arrive at one’s mise en scene is to liberate oneself from dogmas that are both personal and in...

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Bollywood

Woh Sadhana thi

The cine-young living in the 60-year-old that I am, refuses to abandon my lingering fascination for actress Sadhana, writes Aparajita K...

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Bollywood

Rogue Thinker

Khalid Mohamed’s never-before published interview with the dogged rule-breaker, Ram Gopa...

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Powerful People

Born to act: Ahlam Khan Karachiwala

Aparajita Krishna takes a walk through the life of actor Ahlam Khan Karachiwala, born to Indian cinema’s most loved Amja...

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Alternative Entertainment

Failed promises of the right wing: Andrzej Wajda

Sharad Raj transports you back to the film Ashes and Diamonds - an all-time masterpiece of Polish cinema, directed by one of the most important filmmakers,...

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