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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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An Interlude

Sathya Saran talks about her journey when writing on Pandit Hariprasad Chaurasia and she shares an excerpt from the book she h...

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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

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Brotherhood of man and woman

Amit Behl walks us through the huge impact that the COVID-19 crisis has had on the film and television industry and how the fr...

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The Master: Soumitra Chatterjee on Satyajit Ray

Even under the uncertainty facing the world at large, following the outbreak of Covid-19, a valiant bid is on in Kolkata to celebrate the cente...

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Labour, Rights, Disaster and Capitalism

The global pandemic crisis gripping the world currently has claimed over a quarter of a million lives. It has decimated livelihoods and incomes...

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Rebellion of James Ferreira

Khalid Mohamed profiles the pioneering designer James Ferreira, who has double-tasked as a warrior to preserve the two-centuries-old, Portugues...

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Mumbai: A City Smarting

“Thousands of migrant workers walked along the Eastern Express Highway in the hope of reaching back to their villages. They were stopped ...

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Homeward bound…

Photojournalist SL Shanth Kumar was at Bhiwandi station on the outskirts of Mumbai to see off the first train leaving Maharashtra. Here is a ph...

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The art of Rishi Kapoor

Reema Moudgil takes you on a trip through Rishi Kapoors body of work and his many reinventions as an actor who scaled Bollywoo...

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