Difficult Daughters

Neil Simon (along with Moliere) must be the most popular western playwright whose works are adapted (often plag...

Google @ my First Address in Life and its Fruity Lychee taste: MUZAFFARPUR

I have changed many addresses in life as an itinerant. When I click life@57, it is my first address in life and...

Luke Wright's Outstanding 80s Indie Play

We all want something to believe in. It’s 1987 and Frankie Vah gorges on love, radical politics, and skuz...

Celebrating National Street Theatre Day

Safdar Hashmi (12 April 1954 – 2 January 1989) was a communist playwright and director, best known for hi...

Forgotten People

There has been very little work across media on the tragedy of Kashmiri Pandits, who were turned into refugees ...

Sharp Satire

“To lose one parent, Mr. Worthing may be regarded as misfortune. To lose both can be regarded as more lik...

All the World’s a Stage, Not in Mumbai Theatre at Least

Frankly, theatre didn’t prove to be that long-cherished platform to tell a story which was of some value to me – a story about a pre-teen boy who was saved from...

Power Of The Printed Word

Poster, by Dr. Shankar Shesh, a social satire about the exploitation of tribals, remains relevant nearly forty years after it was written, and is a great favourite...

Revisiting The Epics

It is difficult to get young, urban audiences interested in classical dance, and perhaps even more so to interest them in mythology.

Th...