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MYTHWOMAN

Move over Amish. With the innovatively titled ‘Sati Series’, Koral Dasgupta is providing a much-welcome lens through which to look ...

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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’

Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not ...

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To be a good artist, first be a good person.

Humra Quraishi revisits conversations with the danseuse Sitara Devi and writer Mani Sankar Mukherji and draws comparisons - th...

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“Who says only Bollywood songs are gold?!” – Gulzar

As Bollywood’s undisputed Poet Laureate moves from strength to strength, Monojit Lahiri recalls some amazing conversatio...

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The art of Gaganendranath Tagore

At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...

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HIGH FIVE: Time for Some hoichoi

Starting out in 2017, the first regional OTT player in India, hoichoi, is now the world’s leading Bengali...

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Muslim, Christian & Hindu: Kiran Manral

Some time ago in pre-COVID times, I was in a room full of friends and when I sit back to recall, what comes to mind is that which perfectly def...

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ONLY FRENCHMEN AND BENGALI’S ARE INTELLECTUALS

“The whisper more effective than the shout

The gentle rain

Why being an Intellectual has become risky in Modi's India

It is difficult to draw the line between an 'ordinary' citizen questioning the fate of his tax money in a tea s...

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Google @ my First Address in Life and its Fruity Lychee taste: MUZAFFARPUR

I have changed many addresses in life as an itinerant. When I click life@57, it is my first address in life and...

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