Hitchcock’s Shadow

Khalid Mohamed writes on the influence of the Master of Suspense on Bollywood movies, which was infinitely preferable to blood...

Rameshwari wahi jo sab ka man bhaaye

Aparajita Krishna takes us with her on a journey through Rameshwari’s life - from a student of acting to becoming a film star, wife, m...

Abandoned

Bollywood’s shelved extravaganzas! Film historian Dhruv Somani zooms in on eight big Bollywood movies, which on facing hiccups, couldn&rs...

Haidar Ali @70 & His Familial Film Heritage: A Treasure Trove

Voter-India ought to be voting Nirbhaya (unafraid) in 2018/ 2019 also for the freedom of Film India, Fashion In...

The Best of the Cult Films at the Toronto International Film Festival

Toronto International Film Festival (TIFF) showcased some of the most anticipated films set to be released over the coming months. Many of those films were barely famous du...

Celebration of Bimal Roy's Cinematic Legacy

The Bimal Roy Memorial Committee and Film Society, which completed 21 years this August, celebrated the event by hosting an event in Thane on Saturday, the 19th of Septembe...

Jaane Bhi Do Yaaro

Comedy, for some odd reason, has not been a favourite genre for Indian film makers. There is a marked preference for sentimental romances, love stories, family melodrama, g...

“Pyaasa” Will Be The Opening Film In The ” Indian Classics” Section At The 45th International Film Festival Of India

Pyaasa – Guru Dutt’s Cult Classic Becomes The Only Indian Restored Film For World Premiere At The 72nd Venice Film Festival In September 2015 In The Competition Section (E)

“Pyaasa” – A timeless masterpiece by Guru Dutt becomes the only Indian film restored by an Indian company for a world premiere in the competition section ...