KAMLESH PANDEY: Ballia to Bollywood via Ishtihaarpur

Aparajita Krishna goes with adman, writer Kamlesh Pandey on a long walk through his life and career, bringing back beautiful m...

Why a Statue of Netaji now?

Subhashini Ali explains why the statue of Netaji will not transform the Prime Minister into an inheritor of the legacy of the ...

All you wanted to know about Omicron

The new variant of concern: Omicron has assumed the status of The Global ‘Scariant’ of Concern, bec...

Claude Chabrol and The Poetics of Murder

My first exposure to the ‘French New Wave’, La Nouvelle Vague, was through Claude Chabrol’s Violette Nozière (1978). M...

The sky is not the limit: Syed Asad Abbas

Langston Hughes said, “Hold fast to dreams for if dreams die life is a broken-winged bird that cannot fly” and MC Abbas lives by th...

The Art of Ramkinkar Baij

Modern Indian sculpture as we know it began with Ramkinkar Baij. Shantanu Ray Chaudhuri looks at the works and legacy of a pio...

BAISHE SRABON: Dead Poets’ Society

In the series on landmark Bengali films post 2000, Shantanu Ray Chaudhuri looks at Srijit Mukherji’s genre-bending noir ...

The Women of the Farmers Agitation

Subhashini Ali writes about the Women farmers’ parliament - a parliament that the government is determined to keep ordin...

Sunil Shanbag: A Theatre Yatra! Part 2

Aparajita Krishna continues telling the story of Sunil Shanbag from where she left it in Part 1

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