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PAST IS MY MASTER AND EVENING MY DAWN: VINAY SHUKLA

His film-work has been artistically selective and also across-genres, fairly mainstream, writes Aparajita Krishna.

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MYTHWOMAN

Move over Amish. With the innovatively titled ‘Sati Series’, Koral Dasgupta is providing a much-welcome lens through which to look ...

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Distorted to Divide

Humra Quraishi comments about the distortion of Indian History and the caste, class and religious divides it seeks to indulge....

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ALL ABOUT MOTHERS: THE OLDEST LOVE STORY

In a conversation with writer and journalist Maithili Rao, Shantanu Ray Chaudhuri discusses the new anthology on motherhood sh...

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Facts about Indian Muslims

Humra Quraishi leans on facts and figures to draw a picture of the state of the Muslim community in India.

The Indian Screen: Myth and Reality

Farrukh Dhondy traces the evolution of Indian storytelling from early days, when stories travelled by word-of-mouth, to now, a...

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The art of Gaganendranath Tagore

At the height of darkness comes the first stirrings of dawn - a renaissance in the arts, literature and social life. It is against this backdro...

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Widening the Definition of Literature with Bob Dylan

The word ‘literature’ in a dictionary covers many genres of achievement and is the generic name for many sins, writes Farrukh Dhondy. Neverthel...

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Journey of a Passionate Tale-Spinner

Janaky Sreedharan presents Nabanita Deshmukh, a storyteller who follows a unique process to engage with children.

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Alibabas galore…

Film historian Dhruv Somani flashbacks to the plethora of Bollywood movies, which were once fascinated by the adventures of Al...

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